Clearcut and Upper Jungle
In this region, one of my main responsibilities was constructing the Sentinel Tower, a structure that reflects the characteristic clay-and-wood architecture of Rivenese construction—a style that becomes even more evident in the village. Additionally, I contributed to the Wood Cart Area, where I sculpted the walls and floors in ZBrush, supported by wood trunks and planks. I enjoyed using repetition with these props to create a visually cohesive environment, breaking the pattern with small details like broken planks to add variety and realism.
This area also features two axes: a smaller wooden axe and a massive war axe. These were particularly enjoyable to create, as weapons aren’t a common focus in our games. The smaller axe was textured in Substance Painter, while the larger war axe required the use of trims and tiling textures for optimal visual fidelity

-for context-
Riven 2024 was the second game I worked on with Cyan, revitalizing the sequel to Myst with modern visuals, enhanced sound, and interactive features for PC and VR. I collaborated with the Art Director and Art Lead to create immersive environments and props. These posts showcase only a selection of the work I contributed during the game’s development.